Máté Csanda examined the piles of stored firewood and bricks from a sculptural point of view, with an emphasis on the various forms of structuring, layering of these objects, which were built without any connecting material. The starting point of his work were old bricks, stacked on top of each other. By minimal intervention in the original structure – dislocation – he created a temporary chapel, a stele, a vertical structure. For a few short days, the chapel itself served as a place for the presentation of a concept of the artwork.